Techniques

Keum Boo

keum boo earringsKeum Boo (also spelled kum-bu) is a Korean process whereby 22k gold foil is permanently bonded to silver, giving the appearance of the two metals being one.

First, the object is made in sterling silver and then depletion plated to bring up a layer of fine silver to the surface. This is done by repeatedly heating and then quenching the metal in acid. This process is repeated 4-5 times.

Very thin 22k gold foil is placed on the depleted silver while gently applying heat with an open flame. The piece is then placed on a steel block and, using a polished steel burnisher, the gold is pressed down over the surface - fixing it permanently in place. The gold will not bond unless the surface is fine silver and the correct temperature has been reached.

Any future soldering can affect the keum-boo so care must be taken not to over heat the piece. After completing the process the piece may be textured by putting it through a rolling mill or using a scratchbrush. The finish is permanent.

 

Married Metal

married metal 'zig zag' necklace

Married metal is a term used to describe the process of soldering different metals together using high temperature solder. I usually use a combination of silver, gilding metal, nickel silver and copper, although other metals can be used.

After soldering the pieces together, they can be cut and re-soldered thereby altering the pattern that had been initially formed. This can be done again and again, making the pattern quite intricate. When happy with the pattern, the piece must be filed back to clean away all the excess solder (and there is a lot of this!) to reveal the subtle pattern beneath.

The finished piece can be coloured by introducing an open flame which will intensify the colour of the metals, or it can be left to oxidise naturally. Sometimes I use a sealant to keep the colour permanent. I usually set the piece as I would a stone because to solder it again I run the risk of the joins opening and the piece buckling.

 

Inlaying

inlaid necklace

This is similar to the 'married metal' method. A design is saw-pierced from one metal and inlayed into an exactly matching opening in a different metal.

They are soldered together with high temperature solder. As with married metal, the piece must be filed back until dead flat and all solder removed.

It can be coloured with an open flame or left to oxidise naturally. It can also be sealed to preserve the colour.

 

Anticlastic raising

anticlastic raised pendant

This type of forging (called anticlastic raising) persuades the metal into opposing itself. Concave curves and tight tapering enclosed curves are made possible with this technique. Bangles, rings and neckpieces as well as hollow 'tubular' handles are born of this method.

 

Cloisonné and Champlevé Enamel

cloisonne broochThe term Cloisonné is derived from the French cloisons, meaning "partitioned cells". Champlevé refers to a technique where a recess is made in the silver either by incising, etching or making a framework that is soldered onto a fine silver plate.

Thin metal wires of either fine silver or gold are first laid down to separate the enamels from one another. Wet enamels (made of finely ground glass and lead) are "painted" on to the plate of fine silver using the cloisons as dividers.

After the first layer of colour is applied the piece is ready to be kiln fired at somewhere between 760 - 850 degrees Celsius. I always counter-enamel after the first firing, which is essential to ensure the bond between enamel and metal stays strong and prevents future cracking. The enamels continue to be built up and fired repeatedly until the colours become vibrant and there is a feeling of depth to the piece. Each piece is usually fired over twenty times. Unlike with pottery, each piece is always fired on its own.

The piece then needs to be 'taken back'. Using a series of diamond files the piece is gently filed (from coarse to very fine) to remove any excess enamel and to reveal the cloisons. Then a series of diamond papers up to 12,000 grit are used to clarify the surface. The piece is then cleaned with a glass brush, allowed to dry and placed near the kiln to warm up for its final firing.

This last firing is to give the glassy finish enamels are known for. The final depth of the finished enamel is only .7mm (excluding the depth of the silver).

Enamelling is a labour intensive art and not without risk, as silver has a relatively low melting point. The enamelist must be vigilant in order to ensure that the work is not lost during the firing process.

 

All jewelry and photographs are by Robin Phillips and may not be used without written permission

 

Forging

forged collarsMetal can be stretched, curved, flattened, folded and domed. Forging is the basis of silversmithing. From bowls and cutlery to rings and collars, knowledge of forging techniques is essential.

 

Hand Pressing

hand pressed keum boo bracelet

When a three dimensional object requires a consistent shape, I hand make my own die and then form the piece with a hand press. I always test the accuracy of the die with copper plate before I commit myself using gold or silver.

 

 

 

 

 

 

 

All jewelry and photographs are by Robin Phillips and may not be used without written permission